He takes books - which are banned - home. Lured by books, Montag forces Mildred to join him in reading. As a fireman, he is marked by the phoenix symbol, but ironically, he is inhibited from rising like the fabled bird because he lacks the know-how to transform intellectual growth into deeds.
When Clarisse teases him about not being in love, he experiences an epiphany and sinks into a despair that characterizes most of the novel. When Beatty prepares to arrest him, Montag realizes that he cannot contain his loathing for a sadistic, escapist society. He does what he has been toldCornelius 2 been told without thought.
This question precipitates the possibility of another way of life, one which he has never considered before. He does not want men to be automatons that do not think for themselves. Momentarily contemplating the consequences of his act, he ignites Beatty and watches him burn.
Through his friendship with Clarisse McClellan, Montag perceives the harshness of society as opposed to the joys of nature in which he rarely partakes. Drawn to the lights and conversation of the McClellan family next door, he forces himself to remain at home, yet he watches them through the French windows.
Resourceful and courageous, Montag outwits the Mechanical Hound, but impaired by a numbed leg, he is nearly run over by a car full of murderous teenage joyriders.
As Greek mythology instructs us, the titan Prometheus sacrificed himself to provide mankind with the gift of fire Leeming After he contacts Faber, however, Montag begins a metamorphosis that signifies his rebirth as the phoenix of a new generation.
He suffers guilt for hiding books behind the hall ventilator grille and for failing to love his wife, whom he cannot remember meeting for the first time. Knowledge can be accessed to cure illness and disease or initiate great destruction in the manner of atom bombs that level whole cities.
In even thinking that Clarisse is right is a heroic act for Monatg, because he is courageously facing the truth and admitting his true feelings. He is also heroic in going to Faber and also in seeing the good character qualities in Clarisse. He has made a conscious choice to think beyond what the totalitarian regime tells him and others to think.
The Environment Fire and knowledge are liberating elements. At one time, Montag blindly let the ways of the society and culture around him be his guide.
He begins to increasingly think for himself and for what he truly believes. A duality evolves, the blend of himself and Faber, his alter ego. After Granger helps him accept the destruction of the city and the probable annihilation of Mildred, Montag looks forward to a time when people and books can again flourish.
In his occupation as fireman in a dystopian society, Montag is consumed with the destructive nature of his culture. In this text, the protagonist, Guy Montag, follows the monomyth cycle through the various stages of departure, initiation, and return in his quest for the freedom to think and develop as a conscious and authentic individual.
Fire is a true gift. This is his first heroic act of any real consequence. It is left to every human to decide how this great power will be employed in his or her own journey through life. He is heroic in that he hides them at home so that he can delve into them later to learn what they are about and how they can help him be a critical thinker, and thus, be a creative and thoughtful human being.
He is an eager participant as he is introduced torching a heap of contraband material - books: Daily, he returns to a loveless, meaningless marriage symbolized by his cold bedroom furnished with twin beds.
In this way, fire and knowledge are similar. His hunger for humanistic knowledge drives him to Professor Faber, the one educated person that he can trust to teach him.
He knows the risks in doing this, but is willing to do it anyway. However, Montag has a conscience and a sense of right and wrong - a moral He is a hero in taking action that is opposed to the regime.
The cataclysm forces him face down onto the earth, where he experiences a disjointed remembrance of his courtship ten years earlier.
But even though he harbors no affection for Mildred, Montag shudders at the impersonal, mechanized medical care that restores his dying wife to health. He will not toe the party line anymore. Fundamentally, Montag is heroic because he is willing to change.Jun 19, · Modern Anti-Hero – Guy Montag A modern anti-hero is a protagonist of a story whose characters’ attributes are conspicuous to those of the archetypical hero.
Guy Montag, the main character of Fahrenheitis. Guy Montag: Appearing from the first pages of novel, Guy Montag is the protagonist of Fahrenheit However, he is not described like a hero. The reader can understand his task, but the way he chase the goal often seem awkward and spontaneous.
Guy Montag was a fireman for his community and made his mark as a hero through countless acts of courage, bravery, and emotion in the novel Fahrenheit by Ray Bradbury. Montag stood up for his rights on books and defied his government, even if it meant losing hisfamily, friends, job, and property all in order to do what he believed in.
. Montag is a hero in the book Fahrenheit by Ray Bradbury in that, ultimately, he refuses to conform to the dictates of the society around him - a society that is beholden to the directives of the totalitarian government that rules over them. Some people have confusion on whether Guy Montag, the main character in Fahrenheit by Ray Bradbury, could be considered to be a heroic figure in the book.
A hero is a person that makes the right decisions and does things for the good of others/5(1).
Ray Bradbury is able to incorporate careful details and ideas which change the reader's opinion of Montag and allow him to become the hero of the story. As Fahrenheit begins, Guy Montag is burning the books of a house.Download